Tonoscope. Bach, Toccata and Fugue in D Minor, 1st Movement, bar 29, start of ff passage (1967)
Interview with William S. Burroughs (1)
Photo by Derry Moore
Daphne Oram - Pulse Persephone (Alternate Parts)
Twist Your Pelvis, Scratch Where It Itches
Janet Randy, Gramercy Park, New York (1959)
Ana Torrent as "Ana" in THE SPIRIT OF THE BEEHIVE
Immagini Della Realta (1977-4)
L.A. (E.P.), 2004
Untitled (Moticos with Fantastic Jewelry) (1954-60)
All Man
Thorns (1927)
Lunch Poems (1964)
Arthur Brown - Dance
Off Sepulveda (2001)
You’ll Return Tomorrow, Won’t You? (Translated from Estonian by H.L. Hix)
Interview with William S. Burroughs (2)
Cira (2006)
Mother of This Domain (2015)
Excerpt from Gagarin, Fifth Edition (Original text in French)
Non, (1970)
Got A Head Full of Lightning (2010)
Tetsumi Kudo during the Happening "Quiet Event-Observation", presented at Gallery M.E. Thelen, 1968
Harlem's High Heel Heaven Slash 4 Pair for $20, 2008. Photo by Barkley L. Hendricks
Fractal
Bill Fay - I Hear You Calling
Excerpt from "Remember Be Here Now"
Arcs From Midpoint of One Side (1973)
Miles Davis - Nuit Sur Les Champs-Élysées (Take 1)
Medallion with Saint George from an Icon Frame (ca. 1100)
M.Ti.La.Dark (2007)
Untitled (2014)
Flora (2013)
Interior view of Eero Saarinen's 1965 CBS headquarters building in New York -Courtesy of Knoll
Excerpt from "Of How We Have to Leave Doubts Expectations and the Unachieved"
Mark Strand - When I Turned a Hundred, Exclusively Recorded for Dream The End
The Cold War (1963-65)
Joanna Newsom - Only Skin
Nijinsky (1950)
Untitled
Love Streams 2 (2013)
Untitled, (2013)
The Sailor Who Fell from Grace with the Sea
Natalie Wood as "Wilma Dean Loomis" in SPLENDOR IN THE GRASS
'Although I was already aware that George and I had a mutual respect for each other's work, I didn't know him in person until 1957. I met him at an opening of one of his exhibitions, where I was shocked to see him posing in front of one of his drawings. Afterwards, I told him that I felt the whole scene to be a fundamentally inartistic charade. George answered that he had always been present in his work, and that for him there were no strict boundaries between the universal and the individual. And then he added that there was immense beauty in vanity, and I believed him. I could read the man in his work.' (2011)
nude drawing (1911)
So It Goes
Broken Composition
Excerpt from "Sniff" in Sao Pauolo in daylight
Pia, St.Tropez (1975)
Cut Hands - ++++ (Four Crosses)
Vladimir Horowitz in London
Sigourney Weaver as "Ripley" in ALIEN
Kiss, (2012)
Aleksandra Vrebalov - Postcard From Ruma, Serbia - visiting Sava Sumanovic Gallery
Untitled, New York (1959)