Untitled (2011)
Summer
Source for 'Untitled' (2000)
Eros
There is No News
Enigmatica
Runaway Horses
Memory
Graffiti Analysis: Sculpture
Ava Gardner as "Maxine Faulk" in THE NIGHT OF THE IGUANA
The Transfinite
Clips
drylands
Untitled (Verifax Collage) (1969)
Cosmic Skull
Morning Provisional
Blob 4
Astor House, New York (1993)
Embryo in a Pakistani circus
In Praise of Shadows
All matter is merely energy condensed to a slow vibration
Corset and France Dress from Fall-Winter 2005 Haute Couture collection, and Corset, Fall-Winter 2004 Haute Couture collection. Photo by Patrick Demarchelier
Mirror (1921)
Hokusai Patterns & Awazu Colors -6, (1981)
Rain Room
Noon Concert
Amber Fall/Winter 2012- 2011. Photo by Phillipe Garcia
The Sheltering Sky
Ice Dimple, (2013)
Water Walk
Stone Enclosure - Rock Rings (1977-78.)
Holi Festival of Colour
Tonight I need a friend (2011)
Treed But Not Crow (1987)
Power Animal System
Power Animal System: Trans-trans-itions
Left: Geometric Mouse, Scale A, White (1975), Claes Oldenburg, MoMA NYC, November 2004 ; Right: House in Germany (2003), John Pawson, October 2003
Pekkarot in Pink Flamingos:
Trio A
Five Easy Pieces (3)
Sigourney Weaver as "Ripley" in ALIEN
Words are dying
Poppies (1873)
From Guy Maddin's Keyhole Project
Thursday 17 December 1998
Hana
The Shadow
Interview with Salvador Dalí
Reaction to "Hand From Above"
Mr. NAND from Cardboard Computer Workshop
WASSERSCHEIDE(DESIREALLPUTTOGETHER) 2014
VEDAS, 10
View of Binnen-Amstel in Amsterdam (c.1656)
Serpentine Pavilion (2015)
American artist William Crowder, New York, July 2012: When Conrad visited me in 2006, he passionately talked about Rinus Van de Velde over a few gin tonics, his favourite drink. ‘Rinus doesn’t get inspired,’ he told me, ‘he consciously and systematically looks for inspiration himself. Or for good images, as he likes to call them, whatever that means. When he walks the street, he fantasizes about other people’s apartments. He also has a thing for corners, hedges, passageways, gates etcetera: anything that promises something just out of sight, something new. Sometimes he jumps over fences and walls at night, just to discover what he doesn’t know yet. And of course he got chased by dogs, farmers, the police more than once. My guess is that he secretly wants to be everywhere at the same time, that he literally desires to find himself in everything he sees. Or to put it differently: he wants to be all the names in the history of mankind. So whenever he sees a blind spot, he jumps blindly into it.’ ‘Strange’, I answered. ‘I hardly ever saw him outside his studio or an opening, and I always thought him to be the opposite of adventurous.’ (2012) Courtesy Patrick Painter Inc.
1945, 1998
Mains Articulees I (1950)
Fiber Tractography
