Mickey Mouse & The Goodbye Man
New York, Number 18 (1938)
Fever 103°
To The Busted Among Us
SUNLUX
Reaction to "Hand From Above"
Lara Harris (1988)
to: Naf From: Yum
Male Lying, Excerpted from The Human Figure
Brain/Cloud (with Seascape and Palm Tree), La Jolla Mural Project (2011)
All Things Are Matter
Dale Chihuly, Speckled Gold Venetian with Cobalt Leaves and Stem (2001)
Adult Female Sexual Organs
Avant Garde
Elizabeth Taylor as "Martha" in WHO'S AFRAID OF VIRGINIA WOOLF?
The Story of a Man, 2010
Black Death
Karen Robson as "Irma" in PICNIC AT HANGING ROCK
Turf Circle (1966)
Piano Concerto No. 2 (Played by Andrei Korobeinikov)
Transfinite
Landscape Under a Stormy Sky (1889)
Red Curlique (1973)
Installation view, January 1991, Mary Boone Gallery. Photo by Zindman/Fremont
Photoplay
Theater Poster, (1970)
Madame Jacques-Louise Leblanc (Françoise Poncelle, 1778-1839) (1823)
Je voudrais pas crever
Untitled (2001)
Installation view of clouds at Krobath Gallery, Vienna (2015)
Broadcast and The Focus Group - #1 : Witch Cults
L.A.S.E.R. Tag
Close Enough To Kiss
You’ll Return Tomorrow, Won’t You? (Translated from Estonian by H.L. Hix)
Power Animal System
City (ongoing, begun 1972)
Color Etching (1958)
For Rimbaud
III. Vision
a stab at heaven (fertility)
Seascape Tit (1967)
History of the White World: Arabia, LA, 2008
Travelogue
Octonaires on the World’s Vanity and Inconstancy
Viva
Figurine, (2012)
AS TO BE IN PLAIN SIGHT (2011) at Denver Art Museum
The Weight of Data
La Maison Vol.9: La Soie/Silk
UNSEEN_9
1.26, Denver, CO (2010), Photo by Peter Vanderwarker
Utopia (Me Giorgia)
Untitled
Untitled 3, From the series Kathy Acker's Clothes (1999-2004)
Self-portrait as a tennis hero, an image that — as my coach would acknowledge — wouldn’t be far from the truth if I would have begun playing earlier in my life. Sadly, I did not, for reasons not quite clear to me; because no-one really pushed me, because the ironic time and place I grew up in were unfriendly to my ambitions, because I was too sensitive and intelligent to lose my mind in the game, because I was always too busy imagining what I could become to actually become something else than a man who has turned his fantasies into who he really, and professionally, is. Whatever happened, my boyish wishes still linger on in my not so private fantasies, and as far as I know they still offer me a sensible, adult way to become whatever I want, in my studio, for example, using the props available, such as the dirty mattress I never sleep on. (2012) Courtesy Tim Van Laere Gallery
Black Rain
Untitled
