SAD EIS, (SAD EIS SERIES), 2012
Mensa (2009). Courtesy of the artist and Corbett vs. Dempsey
UNSEEN_18
whips and chains, (2013)
Grieving Narcissus
Clean morning light, (2013)
Hedda Gabler (2011). Courtesy of the artist and Corbett vs. Dempsey
Rebecca Forgac, Untitled, 2012-13. Graphite on paper DETAIL
UNSEEN_1
Actual Reality - Excerpt
Tsunami
Self-portrait as a tennis hero, an image that — as my coach would acknowledge — wouldn’t be far from the truth if I would have begun playing earlier in my life. Sadly, I did not, for reasons not quite clear to me; because no-one really pushed me, because the ironic time and place I grew up in were unfriendly to my ambitions, because I was too sensitive and intelligent to lose my mind in the game, because I was always too busy imagining what I could become to actually become something else than a man who has turned his fantasies into who he really, and professionally, is. Whatever happened, my boyish wishes still linger on in my not so private fantasies, and as far as I know they still offer me a sensible, adult way to become whatever I want, in my studio, for example, using the props available, such as the dirty mattress I never sleep on. (2012) Courtesy Tim Van Laere Gallery
Broadcast Excerpt (1)
Air Quality -Video Still. (2012) Sound by Luke Fischbeck
Leiseylento performance, photo by Katrin Albrecht
Untitled, (2012-13)
Midnight Continuous
Compartmentalizing, (2013)
Excerpt from Mileva
ACAB, (2012)
Air Quality -Video Still. (2012) Sound by Luke Fischbeck
Bad Advice, (2012)
Air Quality -Video Still. (2012) Sound by Luke Fischbeck
Broadcast Excerpt (3)
Portrait II, (1963). Yale University Art Gallery, promised gift of Anna Marie and Robert F. Shapiro, B.A. 1956. copyright Richard Artschwager. From the Whitney Museum
Eye Bowl, (2012)
Melancholia
Big Love
Make Yourself Happy
der turm, (2012)
LA LOVE, DJUNA BARNES + THELMA WOODS, (2008)
Actual Reality -Video Still, (2012). Live soundtrack by Chamber Orchestra. Score composed by Luke Fischbeck
VIOLA (Clip 1)
Henry Rollins in KCRW Studio
Actual Reality -Video Still, (2012). Live soundtrack by Chamber Orchestra. Score composed by Luke Fischbeck
Morning Provisional
Figurine, (2012)
Actual Reality -Video Still, (2012). Live soundtrack by Chamber Orchestra. Score composed by Luke Fischbeck
A RAY ARRAY - Excerpt
Interference III, (2012)
Ms. Davis, (2012)
morbid - by John Moloney and Greta Svalberg, (2013)
Pannonia Boundless played by Voxare Quartet
Untitled, (2013)
‘Me and Conrad M. during one of our silent rehearsals with Xx Xxxxxx, our band in the becoming, surrounded by trash and bottles of a fictive whisky blend I have secretly created in the office, a huge mirror in front of us, in which we can’t stop glancing as we try to get our band’s attitude straight, and in which we both discover that we are playing out very different fantasies of rock ‘n roll life, which afterwards leads to heavy discussions over which image we have to project, fights that already cast a dark shadow over the band’s future before we have even played one single note.’ (2012) Courtesy Galerie Zink
Tsunami
In the Driver's Seat, (2008). David Nolan Gallery. copyright Richard Artschwager. From the Whitney Museum
UNSEEN_8
Exclamation Point Chartreuse, (2008). Gagosian Gallery, New York. copyright Richard Artschwager. Photograph by Robert McKeever. from the Whitney Museum
Rebecca Forgac, Untitled. 2011-12. Graphite and ink on paper DETAIL
Untitled (2012)
Bunny Butt Pot, (2012)
Pool Painting II (I Don't Love You), 2012
Steady Pace (Bowlegs Live Session)
12th street New York, (2012)
Clown Face Cat Pot- side A (2012)
Reversible Vase with Surrealist and Ritual Cat, (2012)
Untitled, (2013)
deadhead #2, (2012)
Reading (Quotation), 2010-12. Courtesy of the artist and Corbett vs. Dempsey
Brazos (Live at Hopscotch Music Festival 2012)
The blanket from the bed, (2013)
Interference II, (2012)
VIOLA (Clip 3)
Untitled (The Lost Bishop) ‘They are after you, whoever they are. You are not playing against him tomorrow. You’re playing the system itself.’ 2012. courtesy tegenboschvanvreden
Installation view 'With Nothing But Myself', at Galerie Zink Berlin, 2011
'Although I was already aware that George and I had a mutual respect for each other's work, I didn't know him in person until 1957. I met him at an opening of one of his exhibitions, where I was shocked to see him posing in front of one of his drawings. Afterwards, I told him that I felt the whole scene to be a fundamentally inartistic charade. George answered that he had always been present in his work, and that for him there were no strict boundaries between the universal and the individual. And then he added that there was immense beauty in vanity, and I believed him. I could read the man in his work.' (2011)
Tsunami
Untitled, (2013)
I love white cock, (2012)
Untitled, (2011-12)
Chair/Chair, (1987 and 2007). Image courtesy of David Nolan Gallery
Tsunami
UNSEEN_11
12th street New York, detail, (2012)
Transparent Walls in a dance choreographed by Dusan Tynek
Routine, (2013)
Herkimer, (2012)
A Ray Array -Video Still, (2011). Sound by Lucky Dragons
I Love You
Reading (Citation), 2010-12. Courtesy of the artist and Corbett vs. Dempsey
Untitled, (2013)
American artist William Crowder, New York, July 2012: When Conrad visited me in 2006, he passionately talked about Rinus Van de Velde over a few gin tonics, his favourite drink. ‘Rinus doesn’t get inspired,’ he told me, ‘he consciously and systematically looks for inspiration himself. Or for good images, as he likes to call them, whatever that means. When he walks the street, he fantasizes about other people’s apartments. He also has a thing for corners, hedges, passageways, gates etcetera: anything that promises something just out of sight, something new. Sometimes he jumps over fences and walls at night, just to discover what he doesn’t know yet. And of course he got chased by dogs, farmers, the police more than once. My guess is that he secretly wants to be everywhere at the same time, that he literally desires to find himself in everything he sees. Or to put it differently: he wants to be all the names in the history of mankind. So whenever he sees a blind spot, he jumps blindly into it.’ ‘Strange’, I answered. ‘I hardly ever saw him outside his studio or an opening, and I always thought him to be the opposite of adventurous.’ (2012) Courtesy Patrick Painter Inc.
never loved her, (2012)
A Ray Array -Video Installation View, (2012). Video and custom seating from the exhibition Sarah Rara and Mauricio Ancalmo "Not a Particle or a Place but an Action" at James Cohan Gallery
chelsea light moving tshirt, (2012)
LA LOVE, GALA SPECIAL EDITION, (2008)
Survey: Phototropes
hermaphrodite, (2012)
Rebecca Forgac, Untitled, 2012-13. Graphite on paper. DETAIL
Actual Reality -Video Still, (2012). Live soundtrack by Chamber Orchestra. Score composed by Luke Fischbeck
LASSO LADEN, (SAD EIS SERIES), 2012
Girls and Dogs, (2012)
both sides of the mirror, (2012)
Three Women, (1963)
Will You Love Me
Echo's Body
messiah hot dog, (2013)
INTERNATIONALISMUS, (2010)
Run Boy Run
Rebecca Forgac, Herkimer, 2012. Graphite on paper DETAIL
If Breath is an Occasion for Memory
repair
Broadcast Excerpt (2)
Heidi, detail, (2010)
Cave Painting, (2013)
UNSEEN_9
dude10, (2012)
INTERNATIONALISMUS, (2010)
Speak Truth To Power, (2012)
bootfucked, (2013)
Light Light Light Light
A selective discography of Conrad M.-albums, scribbled down on a napkin, possession of Rinus Van de Velde: The Howling Fantods – Domestic Deliberations EP (2009): 1) Intro to a moody brunch (1:02), 2) Stop laughing, prick (3:12), 3) Get yourself a mars (3:45), 4) Hit hard and slow (2:19), 5) Solo moments (1:44), 6) The flesh is weak (2:27) / The Sad Family – Kitchen Table Melancholia EP (2009): 1) I read books (2:16), 2) Story Junks (0:57), 3) Pain, right here (2:01), 4) Ah Christmas (1:59), 5) What's fair? (1:36) / The Sad Family – Sober & Lonely Fun EP (2011): 1) fuckupstop & funstart (3:18), 2) sleep with a ghost (2:39), 3) what you do = what you become (2:10), 4) stop that song (0:56), 5) night will come soon (3:08) / Xx Xxxxxx – Self-titled EP (T.B.A.): 1) What happened to your band name? (0:22), 2) Misspelled Tattoos (0:31), 3) A Thousand Snares and Floor Toms (0:45), 4) 1982 (0:16), 5) Unite Against Society & Death (1:02). 2012 Courtesy Patrick Painter Inc.
A Hundred Silhouette Hours
Piss Göttin -excerpt
VIOLA (Clip 4)
Destruction IV. Kolodny Family Collection. copyright Richard Artschwager. Photograph by Jason Mandella. From the Whitney Museum
hectic, (2012)
LA LOVE, THE QUEEN + MARCEL DUCHAMP, (2008)
Travelogue
Broadcast Excerpt (4)
VIOLA (Clip 2)






























































































